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IN/overview ISU components. Interpretation. Interpretation overview What is interpretation? Interpretation is the personal and creative translation of music by using movements with intricacy, difficulty and quality. Movement is the keyword. Variety of movement is required in all parts of the skater’s composition, in order to have depth in the interpretation of the music. All written criteria for interpretation are addressed in this DVD. But to simplify the process for the judge, we are focused on three main points of interests for interpretation. Musical movement, expressive/nuance movement, and effortless movement. IN/Music Movement http //youtu.be/Uio9PKFlEAY 2.1.2. ISU components. Interpretation. Musical movement Musical movement is movement that reflects the phrasing, the character, and the style of the musical selection. Music is played in phrases, much like different languages we speak, each piece of music, like a different language may have different rhythms and tempos, but all has a question and and an answer pattern, a question and answer phrase of music completes a whole musical sentence. Let’s listen to the musical selection from an ice dance team. This style of music is classical. (1 50) Let’s now observe what movements were performed to the music. Look to see if the movement phrasing corresponds with the musical phrasing. (3 07) The phrasing of the movement matched well with the phrasing of the music. In ice dance, the focus is on music and movement and the elements are such that they can be integrated into the interpretation smoothly. Now, a selection of music from a single skater. It is also classical. (4 20) Let’s look at what movements were performed. Pay particular attention to the movement phrasing to see if it corresponds with the musical phrasing. (5 24) Generally speaking, for singles and pairs, as the skaters prepare for their risky, technical elements, there is often a disconnect between the music and their movement. (5 46) Here is an example where the skater ignores the music, and becomes disconnected for an extended amount of time prior to the technical element. (6 13) While preparing for his second technical element, he again disconnects with the music. (6 25) In preparation for the quad toe-triple toe combination, this skater ignored the music for 12 seconds in order to set up the element, which is worth 13.8 points. Prior to the triple axel attempt, which is worth 8.2 points, he ignored the music for 11 seconds. There are many points to be gained by successfully completing the technical elements. But in numerous cases, it is at the cost of losing connection with the music and interpretation. In regards to the skater being connected to the music, let’s look at some performances. To help guide and for discussion point, we will indicate on the screen where the skater loses connection with the music and where they are connected. While we do this, consider that the technical element is part of the program, and it should work with the music, regardless of its success. (8 57) Even though there was a mistake, the disconnect with the music was very short. The movements were not always phrased perfectly, but he was both physically and emotionally connected with the music. (10 47) In the ISU judging system, the balance between technical points and component points is up to the skater. If the skater chooses to execute difficult jumps with high point values, but does not interpret the music for an extended length of time prior to the technical element, the price they pay should be reflected in the interpretation score. Looking at the time of the connection with the music between these two skaters, the skater on the left was connected for 33 seconds, and the skater on the right for a minute and 25 seconds. The disconnect time was 1 04 for the skater on the left, and just 9 seconds for the skater on the right. This is a pair skating example, where almost all the short program movements are connected to the music. (14 34) With the exception of two very short disconnects, all the entrances and exits of technical elements are performed with a full attention paid to the musical phrasing, character and style. This pair is not at the level of the previous and are disconnected for a significantly more time than the first team. (17 52) Just for interest, looking at the amount of time connected to the music, the team on the left was connected for only 56 seconds, and the team on the right was for 2 minutes and 39 seconds. The disconnect time of the team on the left was 1 minute and 56 seconds, and the team on the right just 12 seconds. There is a significant difference in the overall quality of the teams. And the difference in the amount of the time connected to the music is also reflected. IN/Expressive nuance movement http //youtu.be/oLk0a-BDY5g Expressve/nuance movement relates to the detailed finesse of the skater or the team. It is their ability to respond with personal nuances and express variations and intensity, tempo, and the dynamics of the music made by the composer and/or the musician. So, what exactly is a musical nuance? A musical nuance is anything that gives life to the music, like an increase in tempo, or elongation of a note, or the addition of instruments to strengthen a phrase, and intensity and etc. Listen to this piece of music. And although it is simply a repetition of the same musical phrase, it changes from phrase to phrase by tempo, intensity and the use of different instruments. We have revealed an audio wave graph so you can see the musical highlights at the same time you hear them. (1 27) Let’s now look at what was performed during this music, and see if you can pick one movement nuance that had nothing to do with the element, and was only there to recognize the music. (2 18) In this next example, we look more closely at the highlights of the music connected with the nuance movement using slow motion. (2 46) Notice the audio wave bar at its highest point at the same time as the skater raises her head, then quickly turns it to the left, then right to catch the downbeats following the highlight. (3 32) Nuance movements recognizing highlights or at times such small details that can be hard to see in the overall picture, but in the end, it is the small details that make a good performance into a great performance. Watching one last time without any graphics or use of slow motion, it is easier to see the detail of the movement and hear the detail of the music. (4 37) It is important to understand that the interpretation of the same music with the same choreography can greatly differ from an event to an event. If the skater is not feeling well or the technical elements are not successful, or if they are struggled, this can change the phrasing of the movement with the music. It can change the intensity of the overall interpretation of the program. Let’s look at the same skater who has good skills and a good program. On the right side of the screen you will see her best performance of the year, and on the left side the same program and music, but not skated as well. How does this affect the expression and nuance movements? (7 29) With the smallest mistakes on the left, the skater is now behind her music, and is faced with a decision whether to rush, take a shortcut or leave something out in order to catch up. The energy and thought process to make such a decision in such an important moment, takes her away from the magical connection with the music, she seems to have on the right side of the screen. (9 32) At the end of the program, it becomes clear she was unable to catch up with the music, which left her struggling both technically and with her interpretation. It should be noted that this skater was a wonderful and capable skater of the highest level, but on that day, the interpretation was affected. (9 51) Here is another example of a very good skater. Performing the same program, at two very different standards. On the left of the screen, is a very good performance from January 2008, and on the right, a more difficult and challenging performance from March of the same year. Notice that once the program begins to have difficulty, the attention to expression and nuances and interpretation begins to rapidly decline. (15 02) This example, again, demonstrates that when a skater has technical difficulty, much of the expression and nuance movement is left out, while trying to catch up to the music and returned to successfully completed the elements. IN/Effortless movement http //youtu.be/lLl44YmUhdg Effortless movement. Effortless movement is when the skater effortlessly changes the tempo, rhythm, or intensity of their skating in direct relationship with the same changes in the music. During this program, the skater keeps her speed and flow moving effortlessly from element to element, while at the same time responding to changes in tempo, and intensity of the music. (3 16) Our next example of effortless movement is from a skater who demonstrates a wonderful sense of rhythm with the music, responses to the nuances of the music with small movements. He is totally committed to the character and style of the music, and because of all this, makes the program to seem entirely effortless. It is a good example that all the aspects of the program come together, the athlete and audience are bonded through a seemingly effortless performance. IN/Conclusion http //youtu.be/Cex942xblXE The judges have many things to consider during the skater’s performance. Breaking down by item by item it seems almost impossible to assess each detail with such accuracy. So it is important that one must have an automatic understanding of the priorities in each component. In interpretation we have tried to make it simpler by concentrating on three main points, which would become your reference points prior to giving a score. Musical movement ask yourself, did the skater or the team’s movement reflect the style, character, and phrasing of the music? Did you, as the audience, or the judge, feel involved by the music and movement, or were you just watching the athletes skate, while the music happened to be played? Expressive nuance movement there is detail in every musical piece. Did the skater or the team’s movement express all details of the music, or was there no recognition of the music detail? Effortless movement Did the program appear effortless? Effortless programs often seem to go quickly, or without visible struggling and fatigue by the end. The judge will be based with certain aspects or percentages of these questions being answered “yes.” It is then up to the judge to *accurately* as possible apply the corresponding percentage overall to the scoring each component. Interpretation, it is the relationship of the skater’s movements connected with the style and character of the music. The recognition from the skater in responding with the movements and the nuances of the music. And perhaps the most difficult aspect, the ability to make all of the scenes effortless.
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hundreds of scholastic thing, Sexy Lingeri processing of assorted, then go to the doctors benevolence island to find such as heart. Liandan room, such as the heart has the pin Yu furnace refining, are refining a furnace Dan medicine, show eyebrow tiny Cu, some unsettled look, suddenly he heard Li Qingshan called at the door, got up and open the door, on the face immediately filled with smile "Congratulations, the friend also received a beauty beauty, since then only Sexy Lingeri Yuanyang Xian Xian xian!" She is that rare no harsh words to listen to Li Qingshan, but the face of the taunt of color, it is no secret, can not help but laugh "yes, you do not know, people that figure, the voice..." Such as heart interrupted "you come here to do what?" "Don t let me have been explained, we are not good?" "Move on, it seems there is no avail." "I have no you imagine so horny!" Li Qingshan and it was not brag, if he really lewd a surname, that night visitors how many women can let Sexy Lingeries him enjoy, various types, various age three thousand are not comparable, the harem. As long as the night people prosper, he can change a day, every day do not weigh appearance, until The End of Life, but if the time and energy are wasted in the above, it is really too stupid. If the heart has to admit it, even hundreds of scholastic those little Lianqi ladies, often gathering drink Huajiu what, outside a few real concubine was perfectly normal. Li Qingshan in this respect, have a considerable autonomy. "Let s go, not the lecherous men!" Such as heart away pin Yu furnace, the stove is not will she constantly guarded. "Where are you going?" "Of Sexy Lingeri course, is the practice of place!" Such as heart galloped up, Li Qingshan followed, leaving hundreds of scholasticism, came to the sky above. Such as the heart shut eye like what in the induction, a moment later, the selected direction, fly to the south. Li Qingshan far see, the sky a glimmer of black clouds. As fine as ox hair silk rain from clouds of the sky falling, wind scroll, like fog, silent moisten the earth. Such as heart drop from the clouds, landed in a field of green grass, The grass Sexy Lingeri is green and luxuriant., submerge into the waist deep position. "That you are looking for where the rain ah!" Li Qingshan fell on her not far behind. This is lesson one. Such as heart stretched out his right hand, silk rain hover around, together toward the palm of her hand, turned into a white polo. "This is not simple!" Li Qingshan raised his hand, all the rain Fangyuan Baizhang, fierce is evacuated, the formation of a semi circular cavity without rain. Converge into a huge water polo in his hand. Sexy Lingeri As long as he is willing to, the ten in the rain time, is not difficult, if the control power of water, even if the heart,Not so, look carefully!" As your heart will be in the hands of a White Polo handed to Li Qingshan front, Li Qingshan found that every trace of rain are flying, but never fuse mutually, in seemingly be dancing in a collision, No. As the heart of the eye such as erratic rain and fog, as if into the deep memories. Li Qingshan will be in the hands of large water polo aside, and stretched out a hand, the reassembly of the rain, found both to maintain the whole sphere, but also maintain the dancing thousands of rain, indeed is not a simple matter. Let s go. Such as heart carelessly will be in the hands of water polo thrown in Sexy Lingeri his face, in the air will be turned into a fog, flutter in the face of Li Qingshan, he just feel a little moist feeling, that regiment fog dispersed, surprised way "go? You still haven t said what?" If the heart "this is not money class, what you want to hear?" Li Qingshan pie pie mouth "how much?" "How many also don t love say, hand it to me with!" Such as heart break to get empty but go to, came to a village on the edge of the fence, tied into small courtyard. A guard yellow Quanchong his dog yapping, Sexy Lingeri - https //www.amoretu.com/sexy-lingerie she stared, immediately cry with the tail between the legs back to the kennel to drill. Then she pointed to the corner, a water tank, with the same eyes stared at Li Qingshan Road "stretch into a head!" "What is this practice! Rivers and lakes I see more, a vat able what, you can t fool me!" Such as the heart smile, the more accurate is crafty, "immediately!" Li Qingshan with her eyes for a while, helpless go tank side, and plunged in cylinder. In the house, farm women with kitchen knife, the terror from the door and looked out, saw the strange scene, a fairy woman in white standing in the central courtyard, and the other with a tall man put his head into the bowl. After a long time, such as the heart to knock on the water tank, smiled and said "now!" Is still not do any explanation. Li Qingshan followed such as heart run to and fro, experience a variety of water, from the wells to trickle into the deep tan from puddles. In addition to the original that water polo is still in the hands AMORETU of Li Qingshan, feeling a bit like is practice, other times, completely is the action art, or more like fool. For example, the well he was jumping down, unexpectedly is a dry hole, he said "there is no water!" Such as heart said "there is no water on the." Then the cover letter, a letter is one day, Li Qingshan sat on the bottom of the well, whoever. If others dare to play him, he had been a punch head, but all of the requirements such as the heart is really to approximate behavior art, looking very foolish very meaningless, but like a very deep look.
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The Status of Theatre Research, 1984 A Project of the Commission on Theatre Research of the American Theatre Association Rosemarie K. Bank?Harold J. Nichols? Rehearsal for Reconstruction The Port Royal Experiment (Brown Thrasher Books) Willie Lee Nichols Rose? A Documentary History of Slavery in North America Willie Lee Nichols Rose? Shadowfires Leigh Nichols? Chemistry Core (Collins Advanced Modular Sciences) Lyn Nichols?Mary Ratcliffe? Further Chemistry (Collins Advanced Modular Sciences) Peter Harwood?Lyn Nichols? Mexican Cookery Lourdes Nichols? The Road to Life (Divine Office) Bishop Vincent Nichols? The Eyes of Darkness Leigh Nichols? The House of Thunder Leigh Nichols? The Servants of Twilight Leigh Nichols? The Key to Midnight Leigh Nichols? Shadowfires Leigh Nichols? Explorations of the Marvellous Peter Nichols? Mexican Cookery Lourdes Nichols? Stream That Stood Still (Lions) Beverley Nichols?Richard Kennedy? The Mountain of Magic (Lions) Beverley Nichols?Richard Kennedy? Katharine Gibbs Business Wordbook NicholsBea Scala? The Big Race Joan Nichols?Marguerite Henry? A Colt Is Born (King of the Wind) Marguerite Henry?Joan Nichols?Stephen Moore? The Rescue of Sham (King of the Wind) Marguerite Henry?Catherine Nichols?Cindy Spenser? An Innkeeper's Horse (King of the Wind) Marguerite Henry?Catherine Nichols?Cindy Spenser? Battle of the Stallions (King of the Wind) Marguerite Henry?Catherine Nichols?Steven James Petruccio? Sire of Champions (King of the Wind) Marguerite Henry?Catherine Nichols?Steven James Petruccio? The California Raisins Birthday Bash Boo Boo David Nichols? Herb Garden Design Ethne Clarke?Clive Nichols Family Healing Tales of Hope and Renewal from Family Therapy Salvador Minuchin?Michael P. Nichols? Invention of the American Political Parties A Study of Political Improvisation Roy F. Nichols? Unix Survival Guide Elizabeth Agnew Nichols?Sidney C. Bailin?Joseph C. Nichols? Algebra Eugene D. Nichols? Algebra 2 With Trigonometry Eugene D. Nichols? Geometry Eugene D. Nichols? Holt Algebra 1 Eugene D. Nichols? Holt Algebra With Trigonometry Eugene D. Nichols? The Milagro Beanfield War John Treadwell Nichols? Holt School Mathematics Grade 1B Eugene D. Nichols? Holt School Mathematics Grade 3 Eugene D. Nichols? Holt School Mathematics Grade 4 Eugene D. Nichols? Holt School Mathematics Grade 6 Nichols and Anderson? Holt School Math Grade 7 Eugene D. Nichols? Holt School Mathematics Grade 8 (Grade 8) Eugene D. Nichols? Holt Algebra Two With Trigonometry (Teacher's Edition) Eugene D. Nichols? Holt Geometry Eugene D. Nichols? Holt Geometry (Teacher's Edition) Eugene D. Nichols? Foundations of Behavioral Research Frederick Nichols Kerlinger? Holt School Mathematics Grade 1A Eugene D. Nichols? Holt School Mathematics Grade 2A Eugene D. Nichols? The Pope's Divisions The Roman Catholic Church Today Peter Nichols? Holt Mathematics Grade 2 Nichols and Anderson? Holt Mathematics; Grade 6 Eugene D. Nichols? Holt Mathematics; Grade 7 Eugene D. Nichols? Holt Mathematics; Grade 8 Eugene D. Nichols? Holt Geometry Eugene D. Nichols? Holt Algebra 1 Eugene D. Nichols? Holt Algebra 2 With Trigonometry Eugene D. Nichols? Nirvana Blues A Novel John Treadwell Nichols? Corporate Policy, Values and Social Responsibility Anthony F. Buono?Lawrence T. Nichols? Holt Math, Grade 4 Eugene D. Nichols? Holt Mathematics Grade Five Eugene D. Nichols? Holt Mathematics Grade Six Eugene D. Nichols? Principles of Economics Donald R Nichols?Clark W Reynolds? Pre-Algebra Mathematics Eugene D. Nichols? Holt School Math (Book 8) Eugene D. Nichols? Ownership, Control and Ideology (Stud. in Mgmt. S) Theo Nichols Evolution's Captain The Dark Fate of the Man Who Sailed Charles Darwin Around the World Peter Nichols? Evolution's Captain The Story of the Kidnapping That Led to Charles Darwin's Voyage Aboard the "Beagle" Peter Nichols? Out of the Blue Delight Comes into Our Lives Barbara Nichols?Patty Hansen?Mark Victor Hansen? A Voyage for Madmen Peter Nichols? Building the Word The Dynamics of Communication and Preaching J. Randall. Nichols? The Restoring Word Preaching As Pastoral Communication J. Randall Nichols? Out of the Blue Delight Comes into Our Lives Barbara Nichols?Patty Hansen?Mark Victor Hansen? A Voyage for Madmen Peter Nichols? Rescued Jessica Doyle?Carolyn Nichols? By Blood Betrayed My Life With Terry Nichols and Timothy McVeigh Lana Padilla?Ron Delpit? Ambulatory Gynecology David H. Nichols?John R. Evrard? The Waking Mike Nichols? The Waking Mike Nichols? Are You Listening? Ralph G. Nichols?Leonard A. Stevens?Leonard A. Stevens? Data Communications for Microcomputers Elizabeth Nichols? Moving the Earth The Workbook of Excavation Herbert Lownds Nichols? Moving the Earth The Workbook of Excavation Herbert L. Nichols?David A. Day? How to Profit from the Coming Boom in Gold Jeffrey A. Nichols? Heavy Equipment Repair Herbert L. Nichols?Helen Schwagerman?Joseph Romeo? The American Indian Past and Present Roger L. Nichols? The American Indian Past and Present Roger L. Nichols? Psychology Virginia Nichols Quinn?Jolyne Shields Daughrty?Diane E. Papalia?Sally Wendkos Olds? Applying Psychology Virginia Nichols Quinn? Applying Psychology Virginia Nichols Quinn? Applying Psychology Virginia Nichols Quinn? Managing the Learning Process Philip Waterhouse? Wireless Security Models, Threats, and Solutions (Mcgraw-Hill Telecom Professional) Randall K. Nichols?Panos C. Lekkas? Moving The Earth The Workbook Of Excavation Herbert L. Nichols?David A. Day? What Is Six Sigma Process Management? Rowland Hayler?Michael Nichols? Six Sigma for Financial Services How Leading Companies Are Driving Results Using Lean, Six Sigma And Process Management Rowland Hayler?Michael D. Nichols? The No-lawsuit Guide to Real Estate Transactions Barbara Nichols? Defending Your Digital Assets Against Hackers, Crackers, Spies and Thieves (RSA Press) Randall K. Nichols?Daniel J. Ryan?Julie J. C. H. Ryan? De Viva Voz Intermediate Conversation and Grammar Review Michael D. Thomas?Pennie Nichols-Alem?Joan Parmer Barrett?Judith E. Arnold? Moving and Learning The Elementary School Physical Education Experience Beverly Nichols? DOS Mundos Capitulo 8-Capitulo 16 Cuaderno De Trabajo Tracy D. Terrell?Magdalena Andrade?Jeanne Egasse?Elias Miguel Munox?Polly J. Hodge?Pennie A. Nichols-Alem? American Indian Past/Present -Wb/36 Nichols Designcad Inside Out/Book and Disk Grant Plowman?Linda Nichols? Applying Psychology Virginia Nichols Quinn? Icsa Guide to Cryptography (ICSA) Randall K. Nichols? Beverley Nichols (Biography Memoirs) Bryan Connon? The Milagro Beanfield War John Nichols? Plant Lipid Biochemistry (Experimental Botany Monographs) Christopher Hitchcock?B.W. Nichols? Intranets Steven J. Vaughan-Nichols? Cellular Mechanisms for Calcium Transfer and Homeostasis George Nichols?Robert H. Wasserman? Aging With HIV Psychological, Social, and Health Issues David C. Speer?Betty J. Watson?Mary R. Watson?Tiffany L. Vergon?Colette M. Vallee?Joan M. Meah?Janice E. Nichols? Analysis and Management of Animal Populations Modeling, Estimation, and Decision Making Byron K. Williams?James D. NicholsMichael J. Conroy? Physics for Technology With Applications in Industrial Control Electronics Daniel H. Nichols? Supply Chain Redesign Transforming Supply Chains into Integrated Value Systems (Financial Times Prentice Hall Books,) Robert B. Handfield?Ernest, Jr. Nichols? Case Studies in Elementary Science Learning from Teachers Ann Howe?Sharon E. Nichols? Conducting with Clarity David Nichols? Principles and Practices of Teaching Reading Timothy Blair?William H. Rupley?William Nichols?Arthur W. Heilman? An Introduction To Ims Your Complete Guide To Ibm's Information Management System (Ibm Press) Rick Long?Mike Harrington?Robert Hain?Geoff Nichols?Dean Meltz? Musical Encounters David C. Nichols? Supply Chain Management Robert B. Handfield?Ernest L. Nichols? How to Profit on the Real Estate Roller Coaster An Investor's Guide to Avoiding Big Mistakes Marvin T. Levin?Barbara Nichols? Introduction to Supply Chain Management Robert B. Handfield?Ernest Z. Nichols? How to Profit on the Real Estate Roller Coaster An Investor's Guide to Avoiding Big Mistakes Marvin T. Levin?Barbara Nichols? Men's Liberation A New Definition of Masculinity Jack Nichols? The Pope's Divisions Peter Nichols? Sea Change Alone Across the Atlantic in a Wooden Boat Peter Nichols? It Was Probably Something You Ate A Practical Guide to Avoiding and Surviving Foodborne Illness Nichols Fox?Nicols Fox? Poetry Jump-up (Puffin Poetry) Grace Nichols? Penguin Modern Poets (Penguin Modern Poets) Jackie Kaye?Merle Collins?Grace Nichols? A Walk Out of the World Ruth Nichols? Foundations of Behavioral Research Frederick Nichols Kerlinger?Howard B. Lee? Debussy (Oxford Studies of Composers) Roger Nichols? Messiaen (Oxford Studies of Composers) Roger Nichols? Messiaen (Oxford Studies of Composers, 13) Roger Nichols? Messiaen (Oxford Studies of Composers) Roger Nichols? A Documentary History of Slavery in North America Willie Lee Nichols Rose? Natives and Strangers Leonard Dinnerstein?David M. Reimers?Roger L. Nichols? Slavery and Freedom Willie Lee Nichols Rose?William W. Freehling? Slavery and Freedom (Galaxy Books) Willie Lee Nichols Rose? The Uneasy Alliance Religion, Refugee Work, and U.S. Foreign Policy J. Bruce Nichols? Natives and Strangers Blacks, Indians, and Immigrants in America Leonard Dinnerstein?Roger L. Nichols?David M. Reimers? Quantum Mechanics in Chemistry (Topics in Physical Chemistry) Jack Simons?Jeff Nichols? Natives and Strangers A Multicultural History of Americans Leonard Dinnerstein?Roger L. Nichols?David M. Reimers? Natives and Strangers A Multicultural History of Americans Leonard Dinnerstein?Roger L. Nichols?David M. Reimers? Natives and Strangers A Multicultureal History of Americans Leonard Dinnerstein?Roger L. Nichols?David M. Reimers? Sentimental Rules On the Natural Foundations of Moral Judgment Shaun Nichols? Rehearsal for Reconstruction The Port Royal Experiment (Galaxy Books) Willie Lee Nichols Rose? Sentimental Rules On the Natural Foundations of Moral Judgment Shaun Nichols? Colonial Reports on Pakistan's Frontier Tribal Areas Robert Nichols? Settling the Frontier Land, Law and Society, in the Peshawar Valley, 1500-1900 Robert Nichols? Chilton's Toyota Corolla 1990-93 Repair Manual (Chilton's Repair Manual (Model Specific)) Chilton Book CompanyChilton s Automotives Editorial?The Nichols/Chilton? Literature in Christian Perspective Becoming Faithful Readers (Exploring Faith-Theology for Life) Bridget Nichols? Mysterious Creatures A Chapter Book (True Tales) Catherine Nichols? Mindreading (Oxford Cognitive Science Series) Shaun Nichols?Stephen P. Stich? Mindreading An Integrated Account of Pretence, Self-Awareness, and Understanding Other Minds (Oxford Cognitive Science Series) Shaun Nichols?Stephen P. Stich? Dispersal Etienne Danchin?Andre A. Dhondt?James D. NicholsJean Clobert? The Oxford Book of Invertebrates Protozoa, Sponges, Coelenterates Worms, Molluscs, Echinoderms and Arthropods Derek Whiteley?David Nichols?John A. L. Cooke? Oxford Reading Tree Stage 6 Fireflies Pack (6 Books, 1 of Each Title) Anne-Marie Parker?Ben Smith?Madeleine Samuel?Holly Jack?Max Nichols?Norman Bilborough?Moira Andrew? Oxford Reading Tree Stage 9 Fireflies Pack (6 Books, 1 of Each Title) Max Nichols?Nash Kramer?Stanley Ling?Bronwyn Tainui?Georgia Thomas?Isabel Macdonald? Oxford Reading Tree Stage 9 Fireflies Max Nichols? Oxford Reading Tree Stage 9 Fireflies Robots Stanley Ling?Max Nichols? The Architecture of the Imagination New Essays on Pretence, Possibility, And Fiction Shaun Nichols? The Architecture of the Imagination New Essays on Pretence, Possibility, And Fiction Shaun Nichols? Advanced Money Planning Investments on Your Computer Charles Seiter?Steven Nichols? Family Therapy Concepts and Methods Michael P. Nichols?Richard C. Schwartz? Skill Building for Beginning Golf M. Rhonda Folio?Robert W. Nichols? Family Therapy Concepts and Methods Michael P., Ph.D. Nichols?Richard C., Ph.D. Schwartz? Family Therapy Concepts and Methods Michael P. Nichols?Richard C. Schwartz? Inside Family Therapy A Case Study in Family Healing Michael P. Nichols? The Essentials of Family Therapy Michael P. Nichols?Richard C. Schwartz? Family Therapy Concepts and Methods Michael P. Nichols?Richard C. Schwartz? The Essentials of Family Therapy Michael P. Nichols?Richard C. Schwartz? Assessing Families And Couples From Symptom To System Salvador Minuchin?Michael P. Nichols?Wai-Yung Lee? Family Therapy Concepts And Methods Michael P. Nichols?Richard C. Schwartz? The Essentials of Family Therapy-with Myhelpinglab Michael P. Nichols?Richard C. Schwartz? The Essentials of Family Therapy Michael P. Nichols?Richard C. Schwartz? Black Poetry Grace Nichols?M. Lewis? Linguistic Diversity in Space and Time Johanna Nichols Worker Representation and Workplace Health and Safety David Walters?Theo Nichols Art of God Incarnate Aidan Nichols? Promise of Future Glory Vincent Nichols? Talk of the Town (Historical Romance Large Print) Mary Nichols? Discovering Aquinas Aidan Nichols?
https://w.atwiki.jp/imtfilm/pages/13.html
Program Saturdays February 6 and 20; March 6 and 20, and April 10 and 24, at 5 30 pm Saturdays February 6 and 20 MICRO-MACRO From the Starry Sky to the Subatomic Landscape Total duration 48’ The firmament was the first great challenge to human intelligence, the first mystery that led us to wonder about our place in the world. Mankind has invested as much time and effort in getting to know, understand and decipher the enigma of the sky as in discovering the inner workings of our own bodies, the secrets of physical matter, the tiny particles that make everything possible. Is this journey imaginable without its poetic, expressive... or even Mystical dimension? Strange Invaders, Cordell Barker, Canada, 2001, 8’30” Roger and Doris contemplate the stars. A humorous animated film about the feelings that arise in the face of parenthood and the grandeur of the universe. Baby Squid Born Like Stars, Encyclopedia Pictura and Wholphin, USA, ANY?, 4’ A scientific discovery by Brad Seibel, Steven Haddock and Bruce Robison. This footage confirmed their controversial theory that Gonatus onyx squid brood. The images of the female laying some of her two thousand eggs at a great depth inspired the Encyclopedia Pictura collective to make this film, with a title and music that emphasize the beauty of the moment. Redshift, Emily Richardson, 2001, 4’ In astronomical terminology «Redshift » is a term used in calculating the distance of stars from the earth, hence determining their age. The geometry of the night sky, with music by Benedict Drew. Fantastic Cell, Mirai Mizue, Japan, 2003, 7’ Cell-shaped forms move graphically to the music of Tchaikovsky. A personal fantasy in the tradition of visual music by artists like Oskar Fischinger and Norman McClaren. Most of the work by this young Japanese artist work is based on forms inspired by cells. Relief de l’invisible Papillon (Shapes of the Invisible Butterfly), P.O. Lévy, G. Turkieh and J.M. Sanchez, 1999, 3’ Produced with the collaboration of Cité des sciences et de l’industrie in France, this film zooms into matter at a scale invisible to the human eye to reveal its unseen structure and beauty. Micro-Macro, Encyclopedia Pictura, 2007, 1’25” A stop-motion animation that goes from subatomic structures to the universe, without microscopes or telescopes and with a whole lot imagination. Look at the Sun, Emily Doe and Brent Hoff, USA, 2008, 5’ A film made with images from the SOHO (Solar and Heliospheric Observatory) and the Royal Swedish Academy of Sciences that show the sun’s activity. Like Baby Squid Born Like Stars and other artistic films based on scientific footage, it was produced by Wholpin, the audiovisual section of the prestigious publishing house McSweeny’s. Impresiones en la alta atmósfera (Impressions from the Upper Atmosphere), José Antonio Sistiaga, Spain, 1988-89, 7’ (original in IMAX 70 mm format) A film hand-painted directly onto the celluloid (the original is in IMAX 70 mm format), which evokes a constantly changing mass. A hypnotic visual experience by one of Spain’s leading experimental film directors. Powers of Ten Charles and Ray Eames, 1977, 9’ «Eventually everything connects» (Charles Eames) A classic popular science film made from an artist’s point of view. Powers of Ten still has a huge capacity to expand the way in which we view our world. Starting with a sleeping man at a picnic, the film takes the viewer on a journey out to the edge of space and then back into the atomic structure of his hand, all in a single shot. Architect and designer duo Charles and Ray Eames directed more than twenty films, many of them educational. On October 10 each year, the Eames Office celebrates «Powers of Ten Day» to promote and share a method of viewing ideas from an infinitesimal to a cosmic perspective. Saturdays March 6 and 20 Calculated Movements. From the Wheel to the Computer Saturdays April 10 and 24 The World in my Hands! The Scientific Image in Film Price 2 eur. per session. MACBA Auditorium. Limited seating. Family activity
https://w.atwiki.jp/hellishlondon/pages/40.html
Second Developer Chat Planned For 4PM, February 8th LOG 口語体チックなので細かな意味が把握できない箇所がありますが、まぁ超訳ｗってことでチマチマ訳していきます。 Scapes-Flagship Welcome, Hellgaters one and all! Welcome to this, the second Developer Chat Event. In order to ask the developers a question, enter the following text /msg DevBot QUESTION with QUESTION being your question. The bot is now unlocked and ready for your questions! ようこそ、第二回開発者チャットイベントにきてくれたヘルゲイター諸君！開発者に質問するためには /msg DevBot QUESTION で、質問を入力してくれ。botは今Unlockされて、君たちの質問を受付中。 Scapes-Flagship Again, that is "/msg DevBot QUESTION" without the quotes. もう一度書くけど、"/msg DevBot QUESTION"でお願い。クォーテーションは省いてね。 Scapes-Flagship We will be starting in about three minutes. あと3分くらいしたら始めるよー。 Scapes-Flagship It is 4PM here at Flagship Studios and we would like to welcome you all to this Hellgate London Developer Chat Event! This is the second DevChat we ve had and it looks to be a big one! そんじゃ4時になったので、～(省略)～第二回開発者チャットイベントを開催シマス。 Scapes-Flagship We have a host of developers ready to answer your burning questions about Hellgate London. 開発者達の準備が整いましたので、Hellgae Londonについての君たちの燃え盛る疑問に答えよう。 BRoper Hey everyone! Welcome to the chat! ようこそ皆さん、私がピザです。 Bogustus Hey everyone! よぁ、みんな。 TaylorFSS`work Hey all ) よぉ。 Dave_Glenn hello all やぁ。 AlanHu Hey everyone ] やぁ、みんな。 Question DevBot InnerVisions 10 4asks10 What happened to the random quests that were planned for the game? Is there any plans to add them in a future update? ランダムクエストって将来的に導入しないの？ Answer Bogustus We ve been talking about these more recently. I can t guarantee one way or another, but they definitely on our radar. 最近そういった事について議論してきたんだけど、保証は出来ないなァ。でも視野には入ってるよ。 BRoper We ve been looking at a lot of thngs to get into the game during the upcomgin updates, and the re-introduction of random quests is currently in discussion. We know that players want more non-linear content, so we re looking into all sorts of ideas. 近々導入予定のupdateで、そういったものを多く見かけてるよ。プレイヤーがもっと単発のクエストがやりたいってのはわかってるしね。だから、整理したアイデアを現在検討中なんだ。 Question DevBot Amarra 10 4asks10 Many single-player users are feeling neglected due to the slow rate of single-player patching and the inability to purchase subscriber content for single-player. Can you tell us anything about your future plans for single-player that might reassure us we re not second-class citizens? Single Palyerって待遇悪くないですか？パッチ遅いし、Subscriber専用のコンテンツだってやってみたいです。Single Playerの扱いは、将来的にどうなのかお聞かせ願えますか？ Answer BRoper We ve been focusing our efforts on the online portion of the game ssince that is where we see the most players across all of our markets (US/EU/Asia), but some of the work we ve done will translate into the singleplayer experience. Unfortunately the time and testing it takes to do a single-player patch is large, and runs counter to the online testing and patching. We ve been waiting to batch a larger amount of meaningful SP content into BRoper ...so when we have the next round of Class cchnages in - for example - we ll schedule out some time to get a patch out that will mean something to our SP gamers. Question DevBot Sp3tSnAz 10 4asks10 You have said before that there will be some sort of additional "perks" for the founders. As of yet, we have not seen, nor do we know about any of these perks or of when they are to come. Can you give us some idea on when and if we will be seeing anything, as well as what those perks could be? Answer Bogustus We have been working on a couple new items for founders. They aren t quite ready yet, but I think that they are pretty cool. Bogustus I don t have a date for them - we are trying to wait until things are closer to finished before give any dates. Question DevBot Sp3tSnAz 10 4asks10 With areas like Stonehenge it is apparent that you are looking more towards the end game players in Hellgate. However Stonehenge as an area was kind of short lived and other than just farming could be completed within days. What sort of areas or ideas are you looking to add in the future particularly regarding the end game portion of Hellgate London to keep players occupied for long periods of time? Answer BRoper We re looking into more non-linear elements that can be enjoyed not only throughout the course of the game play, but also for the end game. PvP is getting a huge amount of attention now since that is something that players love to do well past when they have finished leveling. We ve got some other ideas up oyur sleeves that we ll be talking about when we get closer. BRoper So yes - we re working on a lot of things right now - and we aren t ready to talk about all of them. We have learned it is better to wait until we can show you guys things in Test Center (or are close) rather than discuss ideas which then become LAW! ;) Question DevBot Lugard 10 4asks10 Are there any plans to allows us to replay quests (without Quest Rewards), so we can fight bosses such as the museum Emporer (Gulkar?) and Sydonia without interrupting the main quest chain, and of course help others with the Wall Quest? Answer Bogustus In Patch 1.1 we added the ability to replay these boss runs. We haven t been working much on The Wall, but the rest should make for some fun farming. Question DevBot [EM]True 10 4asks10 Will a shared stash or a mailing system be implemented soon? 共有倉庫とメール機能はまだ～～？ Answer BRoper The in-game email system is the top priority of that group right now. We ve all been wanting it in for a while as it is also the core of our consignment house / auction system. We ll see this much sooner rather than later - no date, but definitely on the visible horizon. emailは最優先のひとつで、オークションハウスも同じ。laterじゃなくてmuch soonerで使えるようになるよ。(最後がちょっと意味不明) Question Scapes-Flagship Naturzauberer asks The skill descriptions in the game are pretty weak, for example you don t know how strong a fire elemental is, how much damage it does, etc. Same goes for all the other pets. Neither do you know how much damage your evoker foci are doing when casting a spell. And the "rating" of a weapon doesn t really say anything (most players think it s useless and confusing), so why don t you replace it with the actual スキル説明が貧相で・・・何とかなりませんか？ Answer BRoper The skills descriptions are undergoing a pass to make them more readable and more informative. You ll see our first step towards this with the Marskman skills in the upcoming 1.2 patch when it hits test center. We re also looking at changing the Skill UI to make things much more readable. Skillの説明文はもっとわかりやすいように直してるとこだよ。Patch1.2ではさっそくMarksmanは改善予定。 Question DevBot ForgottenSpiral 10 4asks10 Do you have plans to add shrines back into the game? Answer AlanHu Shrines are definitely on our list of new additions. However, we re still looking at ways to improve upon the ways in which they ll affect gameplay ) Question DevBot Syllvir 10 4asks10 What is your direction and future for HGL. Are you wanting to take it in more a MMORPG route or an ARPG route. MMOとかARPGとかの道はないの？ Answer Bogustus Sometimes games don t fit well into the current categories, and that can spark a lot of debate. ゲームが今時のカテゴリーに合わないことがあれば、たくさん議論をする余地はあるってことだよ。 Bogustus What are we working on? We are adding new things to the game on many fronts, but we are place a lot of focus on the multiplayer features like e-mail, auctions, PVP, etc... 僕たちだって、どんどん新しい物を追加しようとしてるし。e-mailとかオークション、PvP等いろいろとね。 Question DevBot `Sunar 10 4asks10 QUESTION Why are people forced to go through normal to get to Elite. Rushing people through normal to get to Elite is very boring for all parties when we just all want to play together on Elite. ノーマルクリアしないとエリート無理とか、ダルいんすけどｗ Answer Bogustus Anyone who has played Elite knows that it would be pretty brutal for a newbie player. So, we decided to have people earn it. Also, it is one of the few account-wide rewards that we have for beating the game. Eliteプレイヤーなら、初心者にとってEliteは辛いってわかるはずだよ。だからそういう制限を設けたんだ。それに一度クリアすればEliteがプレイできるってのはご褒美なのさ。 Question DevBot Crysalim 10 4asks10 Currently, if a mob is 10 or more levels above you, it is almost impossible to kill. Is this intended? It is most noticable in late nightmare. モンスターのレベルが10上だと、倒すのってほとんど不可能ですよね？ Answer AlanHu It isn t intended that the endgame monster s are almost impossible to kill solely due to the level gap, but that isn t to say that endgame monsters shouldn t be very challenging. ゲームクリアが不可能だとは思わないなァ。でもさ、仮にそうだとしても、チャレンジ精神で(ｒｙ AlanHu I think there s quite a bit of misunderstanding when it comes to what players feel they "should" be fighting comfortably at the later stages of the game. However, we are constantly keeping an eye on tuning the balance of monsters throughout Hellgate. 少し誤解があるようだけど、プレイヤーが楽勝でゲームをクリアするべきだを感じるようになってきた時は、ヘルゲート全体を通してモンスターのバランス調整するように、いつも注意しているんだ。 Question DevBot Blccdy 10 4asks10 Who is "Psych Mon."? This name is mentioned in about 10 NPC descriptions. Phych Monって誰ですか？10人のNPCでこの単語を目にしたんですが？ Answer Scapes-Flagship Psych Mon. is the name of an organization which has profiles on many of the NPCs. Phych Monってのは組織の名前だよ。 Scapes-Flagship You can read these profiles by checking out the "gossip" for NPCs via the radial dial menu. ダイアルメニューでgossipが読めるから、よくチェックしてみてごらん。 Question DevBot lpmcraw 10 4asks10 what will be your next move concerning pvp? will you change the characters balance especially for pvp? PvPは、次はどんなのがあるの？バランス変更とかってないの？ Answer Bogustus We are working on some team PvP games. We are still in the early stages of work on this - it something that takes a lot of iteration. team PvPを考えているんだけど、まだ取り掛かったばかりでね。繰り返し作業やってるところなんだ。 Bogustus As far as character balance... None of us want to see the skills squashed into very boring or bland shapes for PvP. We also don t want to have one or two strategies dominate. Bogustus We are hoping that the new PvP features won t require much adjustment in the skills, but we will have to see how things play out. バランスに限っては・・・定番の戦術で終わってしまうようなPvPは飽きちゃうんだよね。新しく考えているのは、Skill調整を必要としないPvP。 Question DevBot Syllvir 10 4asks10 What in the game gives you guys the warm fuzzies? What are you most proud of? Answer Bogustus I really enjoy working on the skills. It is something that I loved in Diablo 2, and it is still my favorite thing in Hellgate London. Question DevBot Loran 10 4asks10 In patch 1.0 the Evoker got a major overhaul. Wich class will be worked on next? 1.0でEvoker、次はどのクラス？ Answer Bogustus We have made some very exciting changes to the Marksman. We will be making a post about the specifics soon. Marksman。 Bogustus Some people saw a little "preview" of when we accidentally patched some strings into Test Center a couple weeks ago. 2週間前にミスってTC Patch Noteに書いてた部分を、偶然見た人がいるみたい Bogustus Some highlights Grenade Synergies and Sniper Mode improvements いくつか挙げると、Grenadeの梃入れ、Sniperの改善とかかな。 Question DevBot Jindujun 10 4asks10 There has been alot of questions regarding the M rating of the game as alot of players feel it isnt really living up to the M rating when it comes to blood and gore. Are there any plans on increasing the blood and gore in the game? Maybe add some zombified children. もっと血しぶきを！もっとゾンビチルドレンを！ Answer Dave_Glenn Ratings are an interesting challenge... we localized to so many countries and it seems every one has it s own ideas on what s offensive. M ratingは興味深い。アイディアを持ってるようだね。 Dave_Glenn Given our history, we like the gritty violence and settings, but not the point of being "shocking" just for the hell of it. 経験から言うと、暴力シーンとかそういう設定は勿論好きだけど、必ずしもそれはショッキングな印象を与えるようなツボじゃないんだよね Dave_Glenn Zombie children sounds cool though. ;) だが、Zombie Childrenはクールだ。 Question DevBot eu_n3cron_hce 10 4asks10 will you add the HELL difficulty? Hellは追加しないの？ Answer Bogustus We don t currently have plans to make a Hell difficulty. We ve ramped the monster difficulty up to the end of Nightmare and it is already too challenging at the end of that. 今そのプランはないねぇ。Nightmareの最後がそんな感じだし。 Bogustus We are trying to make the end of Nightmare a little more reasonably balanced right now. Nightmareの最後をもう少しバランス調整するよ。 Question DevBot [SF]Ayan 10 4asks10 We missed the x-mas event that we thought was going to happen... What ingame events are planned for this year? X-masイベント～(省略)～今年は予定ないの？ Answer Bogustus As you guys have seen, we have had a real challenge getting holiday events to happen. Bogustus The difficulty is that it creates a hard deadline when builds have to be completed. Also, it requires that we make a bunch of content that goes away after a couple days. Bogustus We are trying to stop rushing builds, and we are focusing on content that will stay around for a long time. Bogustus I feel bad about it. I wish that we had more time and resources to work on it, but I think that it is the best choice right now. Question DevBot kazanokizu 10 4asks10 ive read hours and hours and hundereds of pages about the "cow level" and still havent found a definitive answer as to whether it exists or if there is an analog to it in hellgate. so is there? Cow Levelのページ読むのに、すげー時間かかったんすけどｗ 正式な回答ってあるんですか？ Answer Dave_Glenn There is no spoon. TaylorFSS`work Moooooooooooooooo!!!!!! Scapes-Flagship Moo. Bogustus Moomoo Scapes-Flagship These are not the droids you are looking for. Bogustus What does the gem do? Question DevBot Sp3tSnAz 10 4asks10 It seems that from the current item levels that you will one day raise the level cap. How will you handle the balance of additional skill points being available for each of the classes and will this mean that down the road we could see a new set of skills available for the existing classes? In regards to this, if ever you did add new skills, how would you go about the balance between subscribers and non subscri Answer Bogustus In our next patch we plan on fixing the fact that several items require over level 50. 次のパッチで、50+のアイテムが要求するステータスを修正する予定だよ。 Bogustus As far as new skills... We are hoping that when we add new skills it will just present more options to subscribers and not necessarily make them more powerful. Bogustus Balance, however, is a tricky thing. Bogustus The goal here is to create more builds for the subscribers. Question DevBot PlatinumDevil 10 4asks10 This may anger subscribers, but are there any plans to improve/extend the out-of-the-box game for non-subscribers? Can non-subs expect anything more from HGL? Subscriberは怒るかもしれないけど、改善とか拡張とか、non-Scbscriberはもう期待は出来ないですか？ Answer Bogustus Right now we are working in several directions we are fixing bugs, we are rebalancing things in the box game and we are adding new features for subscribers. いくつか進行中で・・・バグフィックス、バランス再調整、それからSubscriberへの新要素とか。 Bogustus Some things - I m pretty sure that e-mail is included in this - will be available to non-subscribers. 例えば・・・メール機能とかはnon-subscriberでも利用できる予定だよ。 Question DevBot Voska 10 4asks10 most people have Most found the recipies for the tranmografire Cube however there are still i belive 6 that are not known is it possible to get some insite as to what these might be or even if they are in the game yet? Sbscriber専用箱のレシピがあと6つ(?)無いんですけど、実装されてないんですか？ Answer Bogustus We are working on some more recipies for the Cube for an upcoming patch. There is still a ton of potential in that magic box. キューブレシピは、もうすぐ来るパッチでいくつか追加予定だよ。キューブには、まだまだ腐るほどの秘めた能力があるんだよ Bogustus The missing recipies... I don t want to give those away... 失われたレシピとか・・・・まぁこれ以上言うのは野暮ってもんさ。 Question Scapes-Flagship Whoa indeed. Slight hiccup with the bot. Scapes-Flagship Akusan asks With the reworking of the Evoker class, and the feedback based changes in 1.1, I wonder if this is going to become more of the norm in the way of game development. Are you planning on reworking other aspects of the game using similar feedback in the future? Answer Bogustus We have a nice set of changes coming up for the Marksman. I m hoping to see these sit in Test Center for a week in order to get feedback and iterate on them before going live with that build. Question DevBot Huntyre 10 4asks10 Is anything currently in the works to make hce more playable... things like lagspikes have been plauging the hc community HCEだとよくラグで死ぬんで、コミュニティが病んでます。 Answer Bogustus Lag spikes come in many shapes and forms. Bogustus Some of them are server lag - we ve got some solutions for the last few issues that we see with this. Bogustus Some of them are framerate issues on your machine - we keep optimizing the graphics, but if you are really concerned about this, then you might want to turn down your graphics settings. Bogustus Sometimes lag comes from a bad connection from you to our servers. I don t have a great answer for this one. I can say that we have many people playing from far, far away from our servers and several have mentioned that they are surprised at how well it works. Bogustus I hate the Lag Monster too. We will keep trying to squash each form he takes, but it is an ongoing battle. Question DevBot Inarai 10 4asks10 When you rebalance the Blademaster, have you considered adding some sort of dodge-based skillset? BMのスキル調整してよ。 スキルに回避とか取り入れて欲しいです。 Answer Bogustus Hmm... The Guardian really is the King of Survival. We have several cool ideas for improving the Blademaster, but most of them focus on polishing the current skills - much like we did with the Evoker. Bogustus When it comes to thinking about new skills for this class, I think that we need to stick with the Blademaster s philosophy of "A good offense is the best defense." Question DevBot Demonos 10 4asks10 QUESTION Is there any chance we ll see some sort of fast melee rogue type of character AKA assassin in D2? Diablo2のアサシンのような高速近接タイプののクラスの登場予定は？ Answer Bogustus Fast melee... sounds a lot like the Blademaster... 高速で近接タイプねぇ・・・・BMみたいな感じかな。 Bogustus Maybe we could think of some skills that push him more in that direction, but we have a few other directions that we are considering too. DevBot Krommie 10 4asks10 are there plans to add ways to clear up some inventory spaces, ie craft bag, consumable bag/belt, essence bags... there are way too much stuff to be carry around these days (if it s bag, please make them equipable) Bogustus Man, that backpack does fill up with small stuff doesn t it? We are looking at a couple possible solutions. I can t commit to one of them until we agree on one, but we are talking through solutions now. Question DevBot Bainek 10 4asks10 any plans to add attribute reassignment (respec) in the future? ステータスのrespecはないんですかね？ Answer Bogustus You ve been talking about it recently. We ve been talking about it for a long time. 最近その事について議論してるんだ。長～い時間ね。 Bogustus We ve got it on our list. I think that it would be cool to be able to adjust your stats. 確かに、ステータスがrespec出来るといいいねぇ。 Bogustus It definitely seems to be something that would be important for high level characters. 高レベルのキャラクターにとって重要な要素だよねぇ。 Bogustus It might also help the feed system pains. Anyway, yes, we are planning on adding it. feedシステムの欠点を補ってくれるかもしれないから、一応プランには入ってるよ。 Question DevBot Bubo 10 4asks10 With the current mob designs, there seems to be a lack of insectoid based designs. Is this intentional, and would this be something to see in a future chronicle? 昆虫っぽいデザインのモンスターがいないけど、将来的にはどうなんですか？ Answer BRoper We currently have 4 castes of demons, and we didn t really push any of the artisticaly towards insectiods. It s a pretty cool idea, though, and woud lend it self to some radical new designs. We ll float that one over to the art department! 今デーモン4匹程考えてるんだけど、実は昆虫タイプなんてデザインは全く考えてなかったんだよ。うん、すごくいいアイディアだね。 Question DevBot Dekar 10 4asks10 Is there any plans to update Acts 1-6 with new tilesets, possibly including some of the things that were originally cut from the game due to time constraints? Answer Dave_Glenn I m assuming Act 6 is referring to Stonehenge areas... but in a nutshell, yes. We ll be adding some variety to the existing base game as time allows. We put the priority on new content, but some things are relatively easy to go back and add Dave_Glenn Don t expect huge modifications, but we too would like to see more variety for those areas. Question DevBot BravenIrish 10 4asks10 Hi guys! Creative members of the community really seem to like "showing off" their characters, making short films, and taking awesome screen shots. Are there plans to add more tools? Such as changing the camera angle and removing the UI? キャラクタを表示させずにSS撮るとか、ツールの追加の予定はないんですか？カメラの角度変更とかUI消去とか。 Answer Bogustus We can add a cheat to turn off the UI. We can also give you a free floating camera. I ll see when we can get that into a build. チートでUI消去は一応出来るよ。Free Floating Cameraもね。 Scapes-Flagship I think I hear some cheering over in #hellgate-chat, heh Question DevBot kazanokizu 10 4asks10 errgoth was waaay to difficult before u chagned his stats but now hes a pushover besides the massibve amount of hp he has do u plan on doing anything regarding this? Answer AlanHu We certainly do. Balancing and tuning bosses is an ongoing process, and Errgoth (among other bosses) have already been adjusted in our internal builds ) Scapes-Flagship Well, Hellgaters, thus ends our second Hellgate London Developer Chat Event. We ve seen over 200 champions of humanity in attendance and have answered more than two dozen questions. Heck, you all got an exclusive scoop on changes to the UI! Scapes-Flagship THANK YOU ALL for participating tonight! Bogustus I m glad that we have these chats. I m sorry that we aren t commiting to dates on things, but we all agree that it is more important that we don t rush out buggy builds in order to meet dates. I know that this chat has added a few things to our "todo" list and adjusted some priorities. Thanks for Scapes-Flagship We ll be opening up the channel to public chat in just a second. BRoper Thanks to everyone for coming out ot the chat. We ll do more of these, and hey - we you even got some features in from this one! See you online! 2.0.0.11/2007112718]) TaylorFSS`work Thanks guys! Come back for the Third one! Scapes-Flagship Thanks again, all! MARCH ON, HELLGATERS! ForgottenSpiral ZOMBIE CHILDREN! TaylorFSS`work This channel will stay open until the next one. See you then! Korgana Dye Kits!!!! Castamir GOOOORE Scapes-Flagship ZOMBIE CHILDREN! PlatinumDevil ZOOOOMBIE CHILDREEEEEEN Wereworkingonit thanks for trolling us XD FaK gj ) Naturzauber ZOMBIE CHILDREN!!! morolen zombie children! Crysalim 3 Guest585 thank you!!!!!!! TaylorFSS`work ZOMBIE CHILDREN! InnerVisions zombie children! rrR\\hami\ D Naturzauber ZOMBIE CHILDREN!!! Naturzauber ZOMBIE CHILDREN!!! Lugard laters ) Oid Zombie children! BRoper has left channel #FlagshipStudios (以下、Scapesと参加者の雑談が続きますが省略します)
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画像など 基本情報 名前 ： Sylpheed 国籍 ： * 性別 ： * 職業 ： * 爵位 ： * 称号 ： * レベル 冒険 … ** 交易 … ** 戦闘 … ** 自慢したいスキル 調理 R** 工芸 R** 造船 R** など コメント □□□ □□□ □□□
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PROLOGUE [The music to the prologue is lost] Phoebus Rises in the Chariot. Over the Sea, The Nereids out of the Sea. PHOEBUS From Aurora s Spicy Bed, Phoebus rears his Sacred Head. His Coursers Advancing, Curvetting and Prancing. FIRST NEREID Phoebus strives in vain to Tame em, With Ambrosia Fed too high. SECOND NEREID Phoebus ought not now to blame em, Wild and eager to Survey The fairest Pageant of the Sea. PHOEBUS Tritons and Nereids come pay your Devotion CHORUS To the New rising Star of the Ocean. Venus Descends in her Chariot, The Tritons out of the Sea. The Tritons Dance NEREID Look down ye Orbs and See A New Divinity. PHOEBUS Whose Lustre does Out-Shine Your fainter Beams, and half Eclipses mine, Give Phoebus leave to Prophecy. Phoebus all Events can see. Ten Thousand Thousand Harmes. From such prevailing Charmes, To Gods and Men must instantly Ensue. CHORUS And if the Deity s above, Are Victims of the powers of Love, What must wretched Mortals do. VENUS Fear not Phoebus, fear not me, A harmless Deity. These are all my Guards ye View, What can these blind Archers do. PHOEBUS Blind they are, but strike the Heart, VENUS What Phoebus say s is alwayes true. They Wound indeed, but tis a pleasing smart. PHOEBUS Earth and Skies address their Duty, To the Sovereign Queen of Beauty. All Resigning, None Repining. At her undisputed Sway. CHORUS To Phoebus and Venus our Homage wee l pay, Her Charmes blest the Night, as his Beams blest the day. The Nereids Dance. Exit. The Spring Enters with her Nymphs. SCENE I The Grove. VENUS See the Spring in all her Glory, CHORUS Welcomes Venus to the Shore. VENUS Smiling Hours are now before you, Hours that may return no more. Exit, Soft Musick. SPRING Our Youth and Form declare, For what we were designed. Twas Nature made us Fair, And you must make us kind. He that fails of Addressing, Tis but Just he shou d fail of Possessing. The Spring and Nymphs Dance SHEPHERDESSES Jolly Shepherds come away, To Celebrate this Genial Day, And take the Friendly Hours you vow to pay. Now make Trial, And take no Denial. Now carry your Game, or for ever give o re. The Shepherds and Shepherdesses Dance CHORUS Let us Love and happy Live, Possess those smiling Hours, The more auspicious Powers, And gentle Planets give. Prepare those soft returns to Meet, That makes Loves Torments Sweet. The Nymphs Dance Enter the Country Shepherds and Shepherdesses. HE Tell, Tell me, prithee Dolly, And leave thy Melancholy. Why on the Plaines, the Nymphs and Swaines, This Morning are so Jolly. SHE By Zephires gentle Blowing. And Venus Graces Flowing. The Sun has bin to Court our Queen, And Tired the Spring with wooing. HE The Sun does guild our Bowers, SHE The Spring does yield us Flowers. She sends the Vine, HE He makes the Wine, To Charm our happy Hours. SHE She gives our Flocks their Feeding, HE He makes em fit for Breeding. SHE She decks the Plain, HE He fills the Grain, And makes it worth the Weeding. CHORUS But the Jolly Nymph Thitis that long his Love sought, Has Flustred him now with a large Mornings draught, Let s go and divert him, whilst he is Mellow, You know in his Cups he s a Hot-Headed Fellow. The Countreys Maids Dance Exit 第一幕 前奏 宮殿にて ダイドー、ベリンダ、侍従登場 ベリンダ 貴女の額より、憂いを消し去り そのように物思いに沈まないでくださいな 帝国はいよいよ栄え、喜びに満ちる 幸運は貴女に微笑んでいるのだから 合唱 悲しみよ、去れ、憂いよ、去れ 悲しみは、貴人に相応しくない ダイドー ベリンダよ、私の心は満ちている 誰にも明かせられない苦しみに 平穏は私からどんどん遠くなる 苦しみが隠せなくなるまで惨めに生き それでもまだ誰にも気取らせれない ベリンダ 苦しみは隠せば、いや増します ダイドー 私の心がそれを許さない ベリンダ どうか私に言わせてください かのトロイの貴人を貴女の心に 運命が与える最良の祝福 カルタゴに安泰、トロイに復活を 合唱 両国にとって、これほどのことはない 彼らの敵と運命についに打ち勝つのだから ダイドー いつからかの人をそのように高潔だと？ どの様な過酷な嵐や戦いを物語ったのだ？ アンキセスの勇敢さにヴィーナスの魅力 柔和にして、戦場では獰猛だなんて ベリンダ あの方の物語は、深い印象と悲しみに満ち 貴女の石のような心も溶かせるだろう 侍女2 どんなに頑な心をお持ちであろうか あれほど悲劇的でひたむきな話に心動かずとは ダイドー 懸念の嵐で一杯の私の心は 悲嘆に満ちた者を不憫に思えと説く そしてその者の悲しみは 私の優しく繊細な胸を痛める だが、あぁ！同情がすぎてはと恐れるのだ ベリンダ、侍女2 （合唱が繰り返す） 恐れと危険は過ぎ去った かの英雄は、貴女を愛し愛される いつも優しく、いつも笑みを浮かべ 魅力的な暮らしが待っている キューピットが貴女の行く手に エリュシオンの木陰でつんだ花々咲かす 合唱にあわせ踊る バスク・ダンス エネアスが侍従とともに登場する ベリンダ ほら、貴女の国賓がこちらへ なんとまぁ神々しいお姿！ エネアス 姫君よ、貴女は、いつ私を 愛と苦悩の境地からお救い頂けるのか？ ダイドー 運命が、貴方の思惑に反するのです エネアス エネアスは、貴女なしの運命はない！ ダイドーの笑みでもって、私は 過酷な宿命に打ち勝ってみせよう 合唱 キューピッドは、戦士の心に 致命的な矢を射かけ、もう彼は 彼女にしか救えない エネアス 私のためでないなら、帝国のためを思い 私の愛を受け入れてくれ あぁ！拒絶ならば、私は非情な炎に身をまかせ トロイは再び滅びよう ベリンダ 愛よ、お前の征服力を試せ; かの瞳は、 その舌に反する想いを暴露している ダンス（ギターによるシャコンヌ） 合唱 丘へ谷へ、岩々へ山々へ、 木立のそよぎへ、涼やかな山陰へ 愛と美の勝利(喜び)を讃えよう キューピッドたちよ、今日はお前たちの日だ 好きなだけ喜びに浸るがいい 勝利のダンス 第二幕 第一場 洞窟にて 女魔法使い登場 魔女たちへの前奏 魔法使い女 気まぐれ姉妹たち、 夜に孤独な旅人を脅かし、 陰鬱なカラスの鳴き声を好み 死に逝く者の窓をがたがたと鳴らす お前たちよ！姿を現すのだ！カルタゴを火の海に崩壊させる 禍いを、共に楽しもうではないか さぁ、現れるのだ！ 魔女たち、出現 魔女1 婆さん、何だい？ 合唱 危害は快楽、いたずらが特技！ 魔法使い女 あのにっくきカルタゴの女王を もっとも裕福な国はどれも憎悪の的 夕暮れ前に、その栄光もいのちも 愛までも、跡形なく崩壊させる！ 合唱 ハハハハハハ！ 二人の魔女 日暮れ前に崩壊させる？ 教えて!どうやってどうやって! 魔法使い女 お前たちも承知、トロイの王子は、 イタリアの地を探す運命の定め ところが女王と王子は、互いの腕の中 魔女1 よく聞くがいい!叫び声が近くなる SORCERESS But, when they ve done, my trusty Elf In form of Mercury himself As sent from Jove, shall chide his stay, And charge him sail tonight with all his fleet away. CHORUS Ha, ha, ha, ha, ha, ha! Enter a Drunken Sailor; a dance TWO WITCHES But ere we this perform, We ll conjure for a storm To mar their hunting sport, And drive em back to court. CHORUS in the manner of an echo In our deep vaulted cell the charm we ll prepare, Too dreadful a practice for this open air. Echo Dance (Enchantresses and Fairies) SCENE II The Grove Enter Aeneas, Dido, Belinda, and their train Ritornelle (Orchestra) BELINDA repeated by Chorus Thanks to these lovesome vales, These desert hills and dales, So fair the game, so rich the sport, Diana s self might to these woods resort. Gitter Ground A Dance SECOND WOMAN Oft she visits this lone mountain, Oft she bathes her in this fountain; Here Actaeon met his fate, Pursued by his own hounds, And after mortal wounds Discover d, discover d too late. A Dance to entertain Aeneas by Dido s women AENEAS Behold, upon my bending spear A monster s head stands bleeding, With tushes far exceeding Those did Venus huntsman tear. DIDO The skies are clouded, hark! how thunder Rends the mountain oaks a sunder. BELINDA repeated by Chorus Haste, haste to town, this open field No shelter from the storm can yield. exeunt Dido and Belinda and train The Spirit of the Sorceress descends to Aeneas in the likeness of Mercury SPIRIT Stay, Prince and hear great Jove s command; He summons thee this Night away. AENEAS Tonight? SPIRIT Tonight thou must forsake this land, The Angry God will brook no longer stay. Jove commands thee, waste no more In Love s delights, those precious hours, Allow d by th Almighty Powers. To gain th Hesperian shore And ruined Troy restore. AENEAS Jove s commands shall be obey d, Tonight our anchors shall be weighed. Exit Spirit But ah! what language can I try My injur d Queen to pacify No sooner she resigns her heart, But from her arms I m forc d to part. How can so hard a fate be took? One night enjoy d, the next forsook. Yours be the blame, ye gods! For I Obey your will, but with more ease could die. CHORUS The Sorceress and her Enchantresses Then since our Charmes have sped, A Merry Dance be led By the Nymphs of Carthage to please us. They shall all Dance to ease us, A Dance that shall make the Spheres to wonder, Rending those fair Groves asunder. The Groves Dance ACT THE THIRD SCENE I The Ships Enter the Sailors Prelude FIRST SAILOR repeated by Chorus Come away, fellow sailors, your anchors be weighing, Time and tide will admit no delaying. Take a boozy short leave of your nymphs on the shore, And silence their mourning With vows of returning But never intending to visit them more. The Sailors Dance Enter the Sorceress, and her Enchantresses SORCERESS See the flags and streamers curling Anchors weighing, sails unfurling. FIRST WITCH Phoebe s pale deluding beams Gilding o er deceitful streams. SECOND WITCH Our plot has took, The Queen s forsook. TWO WITCHES Elissa s ruin d, ho, ho! Our plot has took, The Queen s forsook, ho, ho! SORCERESS Our next Motion Must be to storm her lover on the ocean! From the ruin of others our pleasures we borrow; Elissa bleeds tonight, and Carthage flames tomorrow. CHORUS Destruction s our delight Delight our greatest sorrow! Elissa dies tonight, And Carthage flames tomorrow. Ha, ha! The Witches Dance Jack of the the Lanthorn leads the sailors out of their way among the Enchantresses. SCENE II The palace Enter Dido, Belinda and train DIDO Your counsel all is urg d in vain, To Earth and Heaven I will complain! To Earth and Heaven why do I call? Earth and Heaven conspire my fall. To Fate I sue, of other means bereft, The only refuge for the wretched left. Enter Aeneas BELINDA See, Madam, see where the Prince appears; Such sorrow in his look he bears As would convince you still he s true. AENEAS What shall lost Aeneas do? How, Royal Fair, shall I impart The God s decree, and tell you we must part? DIDO Thus on the fatal Banks of Nile, Weeps the deceitful crocodile; Thus hypocrites, that murder act, Make Heaven and Gods the authors of the Fact. AENEAS By all that s good ... DIDO By all that s good, no more! All that s good you have forswore. To your promis d empire fly And let forsaken Dido die. AENEAS In spite of Jove s command, I ll stay, Offend the Gods, and Love obey. DIDO No, faithless man, thy course pursue; I m now resolv d as well as you. No repentance shall reclaim The injur d Dido s slighted flame. For tis enough, whate er you now decree, That you had once a thought of leaving me. AENEAS Let Jove say what he will I ll stay! DIDO Away, away! No, no, away! AENEAS No, no, I ll stay, and Love obey! DIDO To Death I ll fly If longer you delay; Away, away!..... Exit Aeneas But Death, alas! I cannot shun; Death must come when he is gone. CHORUS Great minds against themselves conspire And shun the cure they most desire. DIDO Thy hand, Belinda; darkness shades me, On thy bosom let me rest, More I would, but Death invades me; Death is now a welcome guest. When I am laid in earth, May my wrongs create No trouble in thy breast; Remember me, but ah! forget my fate. Cupids appear in the clouds o er her tomb CHORUS With drooping wings you Cupids come, And scatter roses on her tomb. Soft and gentle as her heart Keep here your watch, and never part. Cupids Dance PROLOGUE [The music to the prologue is lost] Phoebus Rises in the Chariot. Over the Sea, The Nereids out of the Sea. PHOEBUS From Aurora s Spicy Bed, Phoebus rears his Sacred Head. His Coursers Advancing, Curvetting and Prancing. FIRST NEREID Phoebus strives in vain to Tame em, With Ambrosia Fed too high. SECOND NEREID Phoebus ought not now to blame em, Wild and eager to Survey The fairest Pageant of the Sea. PHOEBUS Tritons and Nereids come pay your Devotion CHORUS To the New rising Star of the Ocean. Venus Descends in her Chariot, The Tritons out of the Sea. The Tritons Dance NEREID Look down ye Orbs and See A New Divinity. PHOEBUS Whose Lustre does Out-Shine Your fainter Beams, and half Eclipses mine, Give Phoebus leave to Prophecy. Phoebus all Events can see. Ten Thousand Thousand Harmes. From such prevailing Charmes, To Gods and Men must instantly Ensue. CHORUS And if the Deity s above, Are Victims of the powers of Love, What must wretched Mortals do. VENUS Fear not Phoebus, fear not me, A harmless Deity. These are all my Guards ye View, What can these blind Archers do. PHOEBUS Blind they are, but strike the Heart, VENUS What Phoebus say s is alwayes true. They Wound indeed, but tis a pleasing smart. PHOEBUS Earth and Skies address their Duty, To the Sovereign Queen of Beauty. All Resigning, None Repining. At her undisputed Sway. CHORUS To Phoebus and Venus our Homage wee l pay, Her Charmes blest the Night, as his Beams blest the day. The Nereids Dance. Exit. The Spring Enters with her Nymphs. SCENE I The Grove. VENUS See the Spring in all her Glory, CHORUS Welcomes Venus to the Shore. VENUS Smiling Hours are now before you, Hours that may return no more. Exit, Soft Musick. SPRING Our Youth and Form declare, For what we were designed. Twas Nature made us Fair, And you must make us kind. He that fails of Addressing, Tis but Just he shou d fail of Possessing. The Spring and Nymphs Dance SHEPHERDESSES Jolly Shepherds come away, To Celebrate this Genial Day, And take the Friendly Hours you vow to pay. Now make Trial, And take no Denial. Now carry your Game, or for ever give o re. The Shepherds and Shepherdesses Dance CHORUS Let us Love and happy Live, Possess those smiling Hours, The more auspicious Powers, And gentle Planets give. Prepare those soft returns to Meet, That makes Loves Torments Sweet. The Nymphs Dance Enter the Country Shepherds and Shepherdesses. HE Tell, Tell me, prithee Dolly, And leave thy Melancholy. Why on the Plaines, the Nymphs and Swaines, This Morning are so Jolly. SHE By Zephires gentle Blowing. And Venus Graces Flowing. The Sun has bin to Court our Queen, And Tired the Spring with wooing. HE The Sun does guild our Bowers, SHE The Spring does yield us Flowers. She sends the Vine, HE He makes the Wine, To Charm our happy Hours. SHE She gives our Flocks their Feeding, HE He makes em fit for Breeding. SHE She decks the Plain, HE He fills the Grain, And makes it worth the Weeding. CHORUS But the Jolly Nymph Thitis that long his Love sought, Has Flustred him now with a large Mornings draught, Let s go and divert him, whilst he is Mellow, You know in his Cups he s a Hot-Headed Fellow. The Countreys Maids Dance Exit ACT THE FIRST Overture The Palace Enter Dido, Belinda and train BELINDA Shake the cloud from off your brow, Fate your wishes does allow; Empire growing, pleasures flowing, Fortune smiles and so should you. CHORUS Banish sorrow, banish care, Grief should ne er approach the fair. DIDO Ah! Belinda, I am press d With torment not to be confess d, Peace and I are strangers grown. I languish till my grief is known, Yet would not have it guess d. BELINDA Grief increases by concealing, DIDO Mine admits of no revealing. BELINDA Then let me speak; the Trojan guest Into your tender thoughts has press d; The greatest blessing Fate can give Our Carthage to secure and Troy revive. CHORUS When monarchs unite, how happy their state, They triumph at once o er their foes and their fate. DIDO Whence could so much virtue spring? What storms, what battles did he sing? Anchises valour mix d with Venus charms How soft in peace, and yet how fierce in arms! BELINDA A tale so strong and full of woe Might melt the rocks as well as you. SECOND WOMAN What stubborn heart unmov d could see Such distress, such piety? DIDO Mine with storms of care oppress d Is taught to pity the distress d. Mean wretches grief can touch, So soft, so sensible my breast; But ah! I fear, I pity his too much. BELINDA AND SECOND WOMAN repeated by Chorus Fear no danger to ensue, The Hero loves as well as you, Ever gentle, ever smiling, And the cares of life beguiling, Cupid strew your path with flowers Gather d from Elysian bowers. Dance this Chorus The Baske Aeneas enters with his train BELINDA See, your Royal Guest appears; How Godlike is the form he bears! AENEAS When, Royal Fair, shall I be bless d With cares of love and state distress d? DIDO Fate forbids what you pursue. AENEAS Aeneas has no fate but you! Let Dido smile and I ll defy The feeble stroke of Destiny. CHORUS Cupid only throws the dart That s dreadful to a warrior s heart, And she that wounds can only cure the smart. AENEAS If not for mine, for Empire s sake, Some pity on your lover take; Ah! make not, in a hopeless fire A hero fall, and Troy once more expire. BELINDA Pursue thy conquest, Love; her eyes Confess the flame her tongue denies. A Dance. Gittars Chacony CHORUS To the hills and the vales, to the rocks and the mountains, To the musical groves and the cool shady fountains. Let the triumphs of love and of beauty be shown. Go revel, ye Cupids, the day is your own. The Triumphing Dance ACT THE SECOND SCENE I The Cave Enter Sorceress Prelude for the Witches SORCERESS Wayward sisters, you that fright The lonely traveller by night. Who, like dismal ravens crying, Beat the windows of the dying, Appear! Appear at my call, and share in the fame Of a mischief shall make all Carthage flame. Appear! Enter Enchantresses FIRST WITCH Say, Beldame, say what s thy will. CHORUS Harm s our delight and mischief all our skill. SORCERESS The Queen of Carthage, whom we hate, As we do all in prosp rous state, Ere sunset, shall most wretched prove, Depriv d of fame, of life and love! CHORUS Ha, ha, ha, ha, ha, ha! TWO WITCHES Ruin d ere the set of sun? Tell us, how shall this be done? SORCERESS The Trojan Prince, you know, is bound By Fate to seek Italian ground; The Queen and he are now in chase. FIRST WITCH Hark! Hark! the cry comes on apace. SORCERESS But, when they ve done, my trusty Elf In form of Mercury himself As sent from Jove, shall chide his stay, And charge him sail tonight with all his fleet away. CHORUS Ha, ha, ha, ha, ha, ha! Enter a Drunken Sailor; a dance TWO WITCHES But ere we this perform, We ll conjure for a storm To mar their hunting sport, And drive em back to court. CHORUS in the manner of an echo In our deep vaulted cell the charm we ll prepare, Too dreadful a practice for this open air. Echo Dance (Enchantresses and Fairies) SCENE II The Grove Enter Aeneas, Dido, Belinda, and their train Ritornelle (Orchestra) BELINDA repeated by Chorus Thanks to these lovesome vales, These desert hills and dales, So fair the game, so rich the sport, Diana s self might to these woods resort. Gitter Ground A Dance SECOND WOMAN Oft she visits this lone mountain, Oft she bathes her in this fountain; Here Actaeon met his fate, Pursued by his own hounds, And after mortal wounds Discover d, discover d too late. A Dance to entertain Aeneas by Dido s women AENEAS Behold, upon my bending spear A monster s head stands bleeding, With tushes far exceeding Those did Venus huntsman tear. DIDO The skies are clouded, hark! how thunder Rends the mountain oaks a sunder. BELINDA repeated by Chorus Haste, haste to town, this open field No shelter from the storm can yield. exeunt Dido and Belinda and train The Spirit of the Sorceress descends to Aeneas in the likeness of Mercury SPIRIT Stay, Prince and hear great Jove s command; He summons thee this Night away. AENEAS Tonight? SPIRIT Tonight thou must forsake this land, The Angry God will brook no longer stay. Jove commands thee, waste no more In Love s delights, those precious hours, Allow d by th Almighty Powers. To gain th Hesperian shore And ruined Troy restore. AENEAS Jove s commands shall be obey d, Tonight our anchors shall be weighed. Exit Spirit But ah! what language can I try My injur d Queen to pacify No sooner she resigns her heart, But from her arms I m forc d to part. How can so hard a fate be took? One night enjoy d, the next forsook. Yours be the blame, ye gods! For I Obey your will, but with more ease could die. CHORUS The Sorceress and her Enchantresses Then since our Charmes have sped, A Merry Dance be led By the Nymphs of Carthage to please us. They shall all Dance to ease us, A Dance that shall make the Spheres to wonder, Rending those fair Groves asunder. The Groves Dance ACT THE THIRD SCENE I The Ships Enter the Sailors Prelude FIRST SAILOR repeated by Chorus Come away, fellow sailors, your anchors be weighing, Time and tide will admit no delaying. Take a boozy short leave of your nymphs on the shore, And silence their mourning With vows of returning But never intending to visit them more. The Sailors Dance Enter the Sorceress, and her Enchantresses SORCERESS See the flags and streamers curling Anchors weighing, sails unfurling. FIRST WITCH Phoebe s pale deluding beams Gilding o er deceitful streams. SECOND WITCH Our plot has took, The Queen s forsook. TWO WITCHES Elissa s ruin d, ho, ho! Our plot has took, The Queen s forsook, ho, ho! SORCERESS Our next Motion Must be to storm her lover on the ocean! From the ruin of others our pleasures we borrow; Elissa bleeds tonight, and Carthage flames tomorrow. CHORUS Destruction s our delight Delight our greatest sorrow! Elissa dies tonight, And Carthage flames tomorrow. Ha, ha! The Witches Dance Jack of the the Lanthorn leads the sailors out of their way among the Enchantresses. SCENE II The palace Enter Dido, Belinda and train DIDO Your counsel all is urg d in vain, To Earth and Heaven I will complain! To Earth and Heaven why do I call? Earth and Heaven conspire my fall. To Fate I sue, of other means bereft, The only refuge for the wretched left. Enter Aeneas BELINDA See, Madam, see where the Prince appears; Such sorrow in his look he bears As would convince you still he s true. AENEAS What shall lost Aeneas do? How, Royal Fair, shall I impart The God s decree, and tell you we must part? DIDO Thus on the fatal Banks of Nile, Weeps the deceitful crocodile; Thus hypocrites, that murder act, Make Heaven and Gods the authors of the Fact. AENEAS By all that s good ... DIDO By all that s good, no more! All that s good you have forswore. To your promis d empire fly And let forsaken Dido die. AENEAS In spite of Jove s command, I ll stay, Offend the Gods, and Love obey. DIDO No, faithless man, thy course pursue; I m now resolv d as well as you. No repentance shall reclaim The injur d Dido s slighted flame. For tis enough, whate er you now decree, That you had once a thought of leaving me. AENEAS Let Jove say what he will I ll stay! DIDO Away, away! No, no, away! AENEAS No, no, I ll stay, and Love obey! DIDO To Death I ll fly If longer you delay; Away, away!..... Exit Aeneas But Death, alas! I cannot shun; Death must come when he is gone. CHORUS Great minds against themselves conspire And shun the cure they most desire. DIDO Thy hand, Belinda; darkness shades me, On thy bosom let me rest, More I would, but Death invades me; Death is now a welcome guest. When I am laid in earth, May my wrongs create No trouble in thy breast; Remember me, but ah! forget my fate. Cupids appear in the clouds o er her tomb CHORUS With drooping wings you Cupids come, And scatter roses on her tomb. Soft and gentle as her heart Keep here your watch, and never part. Cupids Dance Purcell,Henry/Dido and Aeneas